“You said monster, I only see a woman” The story of a doctor-priest understanding a woman in prison for murder and solving the mysteries he finds.
Identical twins are seen in movies, with examples like “Vertigo,” “Dead Ringers,” and “Adaptation,” and if they are not in the comedy category, this situation usually involves tension, conflict, loyalty, etc. A biological situation that is discussed along with the concepts. In this film, this is the source of tension and secrets, so an attempt has been made to create an atmosphere using very interesting elements such as twins who get sick together, as well as mysterious answers to the questions of who is who and who. is doing what.
Director: Graham Guit
Writers: Marcelle Bernstein, Rose Bosch
Stars: Gérard Depardieu, Élodie Bouchez, Carmen Maura
While the secrets that separated the twins in the past, one of whom is in prison and the other in a Carmelite Catholic church, and in a sense both behind closed doors, are revealed halfway through the film, what The Truth real becomes evident at the end of the film, and although the script frequently fails, the film manages to keep interest alive, especially during the discovery of this truth.
Gerard Depardieu, who constantly makes films and who in this sense reminds us of the stars of Turkish cinema of the 60s (he starred in a total of eight films, including this one in 2003), gives a rather mediocre and boring performance throughout the film. movie. He cannot convey to the audience either the seriousness of the clergyman in the role of him or the passion that we cannot understand when and how it happened. Élodie Bouchez, on the other hand, is a name that carries the real weight of the film and gives at least a passable appearance next to Depardieu.
The film, which does not offer the tension it promises and which often seems to expect the viewer themselves to prepare the material presented, where the plot is sometimes unconvincing, and whose last episode seems to be inspired by the film “Vertigo”, is mainly For fans of pure thriller. The film, which has an unnecessary ending like a horror movie that says there will be a sequel with the image of a new family with twin children in the last frames, seems like a missed opportunity with its structure that is not shocking enough and becomes unnecessarily heavy at times. Still, one must recognize the strange appeal of some parts of the film.
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