Aarcflick

 Like most Harlan Coben adaptations, *I Will Find You* begins with an intriguing mystery but gradually devolves into a series of mediocre red herrings that ultimately pave the way for a truly absurd final reveal. However, I must also admit that the story of *I Will Find You* is so exasperating and ridiculously stupid that it earns the prestigious "so bad it's good" label. Even so, if you don't enjoy watching the series—or any other Coben adaptation—the fault lies with a bland execution that refuses to be as wild as the script. Joe Wright’s *The Woman in the Window* isn't what I’d call "great art," but it is visually dazzling and so full of energy that I’d choose it any day over any Harlan Coben adaptation. Needless to say, Wright’s "trash" is infinitely more admirable than any Coben series on Netflix or Prime Video. They are all riddled with flat, nondescript visuals that prioritize narrative exposition—exposition that rushes us from one event ...