Aarcflick

 Stephan James delivers a brilliant performance as the protagonist—a 30-year-old who has spent half his life in prison—in a drama that possesses a profound understanding of the pathways of both injustice and self-sabotage. A dozen years ago, at the 2013 Sundance Film Festival, I sat in the Eccles Theater and watched *Fruitvale* (later retitled *Fruitvale Station*), Ryan Coogler’s fact-based drama about Oscar Grant, a young man shot and killed by Bay Area police despite having committed no crime. When the film ended, everyone in the room knew we had witnessed something truly extraordinary—and that Coogler was a natural-born filmmaker. When he took the stage, he was exultant; grateful for the audience’s response, yet one could also sense—as his words flowed unchecked—that he was already brimming with stories he was eager to tell. For a viewer (or a critic), this constitutes the Sundance dream: walking into a film knowing absolutely nothing about it, and two hours later, having witnes...