For a long time, I theorized that newly published books that became bestsellers and were later adapted into films and television became famous thanks to people who don't actually read books. They probably saw the cover, read the synopsis, and thought it was outrageous enough to recommend it to people on social media. This was repeated often enough to propel a book to the top of the charts. Then, other authors wrote similar books to recreate the phenomenon. And when that kind of superficial writing was validated by the "readers" and viewers of its adaptations, the BookTokification of literature and the audiovisual medium was complete—at least, that's what I had theorized. But then my assumptions about the state of media were somewhat confirmed by three things: Joshua Rothman's article in The New Yorker on the use of AI. To summarize entire books and call it "reading," Sabah Gurmat's Frontline article on the book adaptation process, from influencer t...
I went to a sold-out screening at TIFF. The fact that this screening, along with others, sold out is a testament to the continued popularity of Elvis Presley, who passed away 48 years ago, a tremendous loss for the music industry. The film is less a concert and more a semi-documentary, with Presley providing his own narration throughout. Director: Baz Luhrmann Stars: Elvis Presley The concert footage is fantastic, especially in the large-screen format shown at the local IMAX theater. The colors were vibrant, the resolution sharp, and the audio excellent; a 10/10 for the image and audio restoration. The footage included in the film is edited from 1970's "Elvis: That's the Way It Is" and 1972's "Elvis on Tour." Both are excellent concert films if you haven't seen them. The main problem, for me, with EPiC is that there isn't enough concert footage in this film, and the songs weren't played in their entirety, as they're interspersed with Pres...