Avinash Arun seems content to translate Sumit Roy’s text with a sense of responsibility and conscientiousness. Given the complex situation in which India has found itself for some years now, it is understandable that filmmakers—much like many ordinary citizens—feel the need to express their frustrations through cinema. Some, such as Anurag Kashyap and Anubhav Sinha, use social issues as a springboard for personal expression, simultaneously expanding the scope of their own style and subject matter. Others, like Pulkit and Vijay Krishna Acharya, buckle under the weight of their own good intentions, resulting in mediocre, self-indulgent work. Director: Avinash Arun Writers: Dushyant Arora, Sumit Roy, Vishal Tiwari Stars: Wamiqa Gabbi, Jaideep Ahlawat, Rajkummar Rao Even Sriram Raghavan and Imtiaz Ali have released films this year that feel more like a "fulfillment of duty" than an act of artistic expression. This sense of "duty-bound" filmmaking is evident once again...
In *Jailer 2*, Nelson Dilipkumar focuses more on worshipping Rajinikanth’s image than on crafting a story that might actually lend him some credibility. While *Jailer 2* is—by almost any standard—an improvement over *Jailer*, one has to ask: given that *Jailer* was as excruciating as a toothache, is there really anything to celebrate? The answer? Nothing at all. The most disappointing aspect of this sequel is not just that it is exhaustingly overstuffed and tediously numbing—a veritable cinematic tumor that would require surgical removal from one’s brain—but something even more disheartening that becomes clear scene after scene: those of us who once valued Nelson Dilipkumar for his deliciously sharp, dark humor (in *Kolamavu Kokila* and *Doctor*) should not expect to find that same sensibility or those same clever pleasures in a filmmaker who has been swallowed by the void of monotonous "hero-worshipping" montages, stylized violence, and a barrenness that stifles any spark o...