Once the sensationalism settles, "Rub" offers a deeper look at its main characters, Neal and Perla, going beyond their roles as mere action figures in a gritty underworld. This shift allows the narrative to blossom into a thrilling tale of an outlaw couple on the run, while staying true to film noir tradition. By blending genres, the film keeps viewers on their toes as expectations are constantly reset, adding to its unpredictability.
The third act is a knockout, as Fox delivers a parade of mind-bending hallucinations reminiscent of Danny Boyle's "The Beach." The film moves along at breakneck speed, leaving the audience elated, not knowing what direction it will take next.
Director: Christopher Fox
Writer: Christopher Fox
Stars: Micah Spayer, Jennifer Figuereo, Westley Barrington Artope
Furthermore, “Rub” breaks ground in terms of body representation, particularly celebrating the type known as “thicc”. Figueraro's ultra-curvaceous figure is shown as a desired and empowered feature, portrayed with exquisite taste in a graphic sex scene. These body shapes are not often seen on screen, let alone celebrated with such glamour. As the film progresses, Figueraro's character moves beyond being a mere sexual object and is allowed to exist in a space without further objectification. This refreshing approach provides meaningful representation for the larger women, allowing them to be fully realized and multidimensional characters.
The film's visual aesthetic plays a crucial role in its impact. Bobby Sansivero's cinematography employs vibrant indigos and violets, reminiscent of the trippy elements found in Mario Bava's horror classics. Nick Bohun's eerie pitch-perfect synth score intensifies the overall experience, pulsing through the veins of the visuals. Plus, the fact that the actress was filmed in Peekskill, New York, the setting of the fictional girls' boarding school in "The Facts of Life," adds an intriguing layer of interest for moviegoers.
“Rub” stands as a testament to the magic of independent filmmaking as it elevates its concept from a modest starting point to a higher level of independent artistic achievement. His directorial debut for Fox exemplifies the post-sweatshop movement, offering views and experiences previously unimaginable. This film is a testament to the limitless possibilities and creativity that independent film can bring to the world of storytelling.
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