When it was announced that director Edward Berger, fresh off the success of one of the best films of 2024, Conclave, would be teaming up with Colin Farrell for an adaptation of a novel about a gambler and con artist, it instantly became one of my most anticipated films of the year. Sadly, the result is a case of style over substance. For me, it ends up being one of the biggest disappointments of the year, a film that tries to say a lot, but never manages to say anything meaningful by the time it reaches its conclusion. The film follows Lord Doyle (Colin Farrell), an apparent high-roller struggling to survive in Macau, the gambling capital of the world. With a refined London accent reminiscent of the Royal Family, Doyle carries himself with a style and confidence that could convince even the most skeptical observer. However, it soon becomes clear that not everything is as it seems. Doyle owes money to almost everyone, particularly the hotel where he's staying, which threatens to rep...
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