“Dawshom Awbotaar”, directed by Srijit Mukherji, is a Bengali neo-noir crime thriller that takes us on a fascinating cinematic journey. With a stellar cast including Jisshu Sengupta, Prosenjit Chatterjee, Anirban Bhattacharya and Jaya Ahsan, this film is a prequel to Mukherji's previous works and connects a police universe within Bengali cinema. Set in the early 1990s, it weaves a gripping narrative of crime and intrigue. As a film critic, I had the privilege of experiencing this intense thriller, and this is what struck me.
“Dawshom Awbotaar” is a gripping story of a young police officer, Abir Chatterjee (Jisshu Sengupta), who embarks on a treacherous journey to uncover a web of gruesome murders linked to a powerful crime syndicate. The film delves into themes of power, crime, and the unwavering pursuit of justice. It has a tone of darkness, suspense, and a constant sense of impending danger that keeps you on the edge of your seat.
Director: Srijit Mukherji
Writer: Srijit Mukherji
Stars: Prasenjit Chatterjee, Jisshu Sengupta, Anirban Bhattacharya
The performances in “Dawshom Awbotaar” are nothing short of exceptional. Jisshu Sengupta's portrayal of Abir Chatterjee is powerful and vulnerable, making us feel deeply connected to his character. Prosenjit Chatterjee's Arnab Ray exudes gravitas and Anirban Bhattacharya's Aditiya Chowdhury brings depth to the narrative. Jaya Ahsan's Nandita Roy is enigmatic and adds layers to the story. These actors make us feel the emotions, fears and ambitions of their characters.
Srijit Mukherji's direction is commendable. He deftly takes us on a journey through the underbelly of Kolkata, creating an immersive experience. The film's atmosphere is crafted in meticulous detail, from the dark alleys to the high-stakes confrontations. Mukherji's narration keeps you engaged and makes you feel part of the investigation.
The music composed by Anupam Roy and Indraadip Dasgupta is hauntingly beautiful. The song “Aami Shei Manushta Aar Nei” is a touching addition that stays in your mind long after the film ends. Soumik Haldar's cinematography beautifully captures the essence of the 90s, enhancing the overall tone of the film. The images and score work in harmony to evoke a variety of emotions.
The film's production design and special effects are top-notch. Every set, from the gritty crime scenes to the elegant interiors, is designed with precision. The attention to detail is evident in the props, costumes, and overall aesthetic. Special effects enhance suspense and visual appeal, making the film an immersive experience.
While the film's editing is generally well done, there are moments where the narrative feels a little overstuffed, particularly in the second half. The movie's length of 154 minutes might test your patience and affect the impact of the climax. Tighter editing could have improved the overall experience.
The dialogues in “Dawshom Awbotaar” are sharp, powerful and thought-provoking. They resonate with the themes of the film and help us connect with the characters on a deeper level. Dialogues are not just words but tools that transmit the motivations and emotions of the characters.
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