If you're active on social media, you probably know that an early version of Mickey Mouse entered the public domain on January 1, prompting the usual memes that place the beloved character in adult situations. Amid this trend, however, is a unique, quieter spin on fan fiction with the approval of the Dashiell Hammett Estate: enter the six-episode limited series “Monsieur Spade,” premiering on AMC, AMC+ and Acorn TV.
Created by the acclaimed duo of Scott Frank (“The Queen's Gambit”) and Tom Fontana (“Oz”), and featuring a wittily dry performance by Clive Owen, “Monsieur Spade” takes Hammett's iconic detective Sam Spade and brings him to life. to a serene place. retirement in the south of France. Rather than reinventing the protagonist for a sardonic journey into darkness, Frank and Fontana explore the repercussions when an angry and irritable character, having found peace, is thrown into the middle of escalating crime and unrest.
Stars: Clive Owen, Rebecca Root, Cara Bossom
The narrative begins in 1955, with Spade (Owen) escorting a young woman named Teresa from Istanbul to Bozouls. Teresa, the daughter of the deceased Brigid O'Shaughnessy and local criminal Philippe Saint Andre (Jonathan Zaccaï), is left in Spade's care. Eight years later, Spade, now settled in Bozouls, grapples with his past promises and a quiet routine following the death of his vineyard-owning wife. The plot takes place in the context of a massacre in a convent involving Teresa and a mysterious Algerian boy coveted by various interests for disparate reasons.
“Monsieur Spade” delves into Spade's evolution from a cocky, competitive chess player familiar to readers of Hammett's works to a domesticated figure navigating a case in which the MacGuffin is a human being, not an object. . However, the series, while intriguing for Owen's performance and picturesque setting, sometimes lacks clarity as to why Frank and Fontana chose to recast Sam Spade, and the approach may not consistently captivate.
The decision to jump ahead eight years at the beginning of the series, while injecting smaller mysteries related to the time in between, somewhat diminishes the character's fish-out-of-water evolution. Viewers unfamiliar with any previous incarnation of Spade may find the central issue of Spade's transformation less significant. The series generally caters to audiences unaware of Spade's history, allowing references to be optional rather than essential to participation.
“Monsieur Spade” often feels like a series of red herrings leading to a chaotic ending. The narrative tilts toward chaos, requiring a cameo from an Emmy-winning actress who delivers a quick, engaging performance, injecting life into the resolution. Owen, avoiding a Humphrey Bogart imitation, offers a nuanced portrait, mixing retrospective machismo with awareness of aging. Iconic elements of the character are stripped away, revealing Spade's poignant realization that smug superiority doesn't always prevail against younger, tougher adversaries.
The series excels in scenes of verbal confrontations, particularly between Owen and his co-star Denis Ménochet. Owen's chemistry with the cast, including jokes about omelet seasoning, enhances the viewing experience. Teresa's character could have been more developed, but Bossom and Owen find engaging comedic nuances in their interactions in later episodes. The series is weakened by Bourgoin, Mastroianni, Weber and Zaccaï playing characters with untapped potential who serve as interlopers in Spade's frustrated retreat.
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