Kevin Spacey's continuing journey toward redemption takes a step forward, or perhaps a step aside, in his peculiar new role in a low-budget British independent film. In this intriguing narrative, Spacey takes on the role of an enigmatic disembodied voice, acting as a ruthless arbiter of the sexual transgressions of others.
The film plays out as a cat-and-mouse thriller set entirely within the confines of a car, a clever premise reminiscent of the recent Liam Neeson-starring film Retribution. The shrewd decision to create a character that Spacey can comfortably voice from any studio in the world adds an entrepreneurial touch to the project. While Spacey's velvety, brooding voice saves the film from potential disaster, he contends with clumsy direction and lackluster performances from the supporting cast.
Director: Gene Fallaize
Writer: Gene Fallaize
Stars: Kevin Spacey, Lauren Metcalfe, Mark Hampton
The story takes place in a future world where technological advances, particularly in AI, have reshaped society. A character identified as “British Prime Minister David Addams” addresses a group in a curiously cheap-looking venue, emphasizing the utmost importance of privacy. After the speech, David engages in an indiscreet and explicit dialogue, openly confessing a passionate affair with "the Home Secretary," Stella Simmons.
As the narrative unfolds, David, preoccupied with official business, asks Stella to take her sleepy teenage daughter home in a state-of-the-art driverless car. However, the situation takes an unexpected turn when the car deviates from its intended course. Panic sets in when Stella realizes that she has lost control not only of the vehicle but also of her life. Enter the unmistakable voice of her online tormentor, Kevin Spacey, injecting a mix of taunts, taunts, and occasional parody accents into the scenes. His tone has an air of sarcasm and slight desperation, reflecting the overall tone of the film.
The central mystery revolves around Spacey's character, raising questions about his identity and his motives beyond a desire to return to the film industry. While Spacey had previously voiced him for a similarly disturbing role in Duncan Jones' sci-fi film Moon (2010), where he played the HAL-like spaceship computer, Control offers a less layered narrative. Spacey's distant, jaded presence, while potentially contributing to cult status or inspiring a remake, does little to reinforce his anticipated return in the audience's eyes.
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